I keep track of the time
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Jeremy Corbyn | Bankers like Morgan Stanley should not run our country - Duration: 1:33. For more infomation >> Jeremy Corbyn | Bankers like Morgan Stanley should not run our country - Duration: 1:33.-------------------------------------------
Emma & Morgan Roommate Story - Duration: 1:09.She found me on Instagram and slid into my DM's
We ended up messaging each other on Instagram, and then we just decided we
were the perfect match to be roommates.
And most of this hall is Greek, which is nice because almost all of us are
in the same relationship where we're all pretty busy and everything with greek life and our academics
So we're able to have that
community and being able to relate to each other with that.
Johnson has a really good environment to be able to get out of the room if you need to go study in a
quiet place or it's just a really good environment to be able to do that.
Being the Woman in Journalism FIG has, it's been really good
It's been amazing to be able to have like automatic connections with girls
who are in the same major as you and who already live in the same community as you and I would recommend a FIG to
anyone that wants to meet people who have similar interests as them.
In our class we learn not just journals things but life skills like resume and cover letter all those kind of things.
So it's just a more applicable class rather than just like a general
education class or like one relative to your major. It's relative to life.
[music: "Sweet Success" by purpleplanetmusic]
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Josh Groban's 'Stage to Stage' Featured on the #NextList2018 | J.P. Morgan - Duration: 3:30.I'm Darin Oduyoye from J.P. Morgan.
Joining me today is multi-platinum recording artist, Josh Groban.
Josh is out with a brand new book, 'Stage to Stage', which is featured on J.P. Morgan's #NextList2018.
Josh, welcome.
Thanks so much for having me.
'Stage to Stage', how did it come about?
'Stage to Stage' is basically the hopping from recording an album of musical theater songs,
then doing a very long tour for it,
and then suddenly having this opportunity to go to Broadway in a very full-circle way
and so the book documents it mostly in photographs, both from people on my team
lots of fan photographs, cast photographs
We really found a lot of very special moments.
When was the last time you were actually doing musical theater?
Senior year in high school! You know I was Tevye in 'Fiddler on the Roof'
and then I went to Carnegie Mellon university for musical theater
and it was while I was a freshman there that David Foster discovered me
and presented this enormous fork in the road where I had to really choose what to do,
but it was one of those experiences where I realized
that being in school to be a performing artist and also having an enormous door opened
to have a chance at really succeeding in that realm, which can be really difficult,
I needed to take that chance.
Talk to us about what it was like to be on a Broadway stage your first night.
Stepping out on stage with my fat suit on and my accordion,
Greeting a Broadway audience, an audience that I have wanted to sing for my entire life
there were a lot of things floating around in my head
and that picture that was taken by my show dresser and one of my best friends, Emma Atherton,
I framed that photo and I will always look to it for inspiration whenever I feel like something might be too hard.
So you've been on many stages
Which do you enjoy the most?
I do love the studio, I love the opportunity of crafting songs
I love the opportunity of crafting songs, the inspiration of when something finally feels right,
but everything I do is for the goal of getting in front of an audience.
As long as there are people there,
your goal that night is to fill the energy with something that's never been done before and will never be done again.
And that's the beauty of live performance and that's when I'm happiest.
The New York Times has called you, "America's National Choir Boy"
That's why I grew the beard
We can't let you leave without asking you if you could possibly take us home with a few bars from a song.
It was a pretty special thing every night to be able to sing the final moments of the show as Pierre
so the last line of that show goes
It seems to me,
that this comet feels me,
feels my softened and uplifted soul
and my newly melted heart now blossoming into a new life.
Thank you so much for joining us today, Josh.
Thank you for having me. Appreciate it.
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'You're a Dick' Piers Morgan wakes GMB fans up with John Barrowman interview - Duration: 2:48.'You're a Dick' Piers Morgan wakes GMB fans up with John Barrowman interview
John Barrowman joined the sofa to discuss how hes moved on from working in science-fiction shows to panto performances.
But Good Morning Britain presenter Piers Morgan couldnt help himself from making a crude innuendo at his guests expense.
Piers blasted: You are a Dick. Surprisingly the 50-year-old actor – whos starred in the likes of Torchwood and Doctor Who – quickly grasped just what Piers was getting at….
Yes, replied John as he burst into laughter.
He added:In Manchester this season… you said it, I didnt. Telly babe Susanna Reid interrupted: This is the second time youve said that. Piers then explained what he meant: Well youre playing Dick Whittington in Manchester..
"Youre a Dick" Piers Morgan Correct, confirmed John.
John soon stopped himself from laughing though and discussed his upcoming play.
I think panto is the best way of introducing theatre to children and its fun, he continued.
The West End performer will star in the title role of the hero Dick starting next month alongside the legendary double act The Krankies.
But this isnt the first time this month that Piers has branded a guest a Dick, as just last week he made a sly dig at dating guru Richard La Ruina.
Todays show proved to be full of double entendres as Piers asked Susanna what shed do for a man if she were married… Never a dull moment on breakfast telly.
Catch Good Morning Britain weekdays from 6am on ITV.
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UQx LEARN034 Morgan Stebbings Interview - Duration: 6:38.[MUSIC PLAYING]
MORGAN STEBBINGS: I think the key thing that philosophy deals with or allows
for deep learning is the concept of instead of it being established
knowledge that we're trying to transfer onto our students,
it's more of an ability or an opportunity for them to inquire.
So there's no right or wrong.
There's no established response that we are trying to get out of our students.
And in doing so, we teach them how to question and rely on their reason,
so what their reasons are for whatever topic we're talking about.
So it moves away from this kind of rote learning
that we all know is not really working.
It's never really worked - memorization -
because that's just acquisition of knowledge.
What we want you to do is apply that knowledge, use it.
When you don't actually use it, you're not actually learning anything.
So and I think there's that real shift between learning and thinking.
Philosophy is always tied to these deep questions.
And so I think that when we encourage them to question things,
we give them that ability to really focus on the deeper level.
What is at the heart of what we're talking about?
With philosophy, because there's no right or wrong,
we want the students to pause and take a minute
and figure out if what another student has just responded with towards
them maybe alters what they had originally thought.
You will often see in a philosophical discussion
that students will hold very strongly to their beliefs.
And I think that's a human nature thing is we value our beliefs.
And if we have to change our beliefs, then we've lost in some way.
But with the philosophy classroom, we specifically state to them that,
and we encourage this idea of being able to change your opinions
and that it's a good thing if you do because sometimes,
through this art of communication and this community of inquiry,
we actually highlight on something that we might have realized
was a generalization that we've made or an assumption that we've made.
Or maybe we've created a stereotype, or we didn't look at something
from a particular point of view.
So in doing all of that, sometimes students
will change their points of view.
Or maybe they'll adjust what they were thinking.
Or they will respond with a passionate example
of what they originally had thought.
When you question students, you can get silence.
You can get passion.
You can get a change of opinion.
So there's many different ways in which they
respond to these kind of deep or these philosophical questions.
The effect that philosophical inquiry gives to reasoning and problem solving
is pretty fundamental because at the heart of philosophy
is being able to be reasonable or reason able.
You need to back up whatever you are communicating
in a community of inquiry.
You need to back it up with your justifications.
And those are your reasons for why you believe or think or have
a thought or an idea.
So in terms of their reasoning, it really
strengthens their ability to reason because it gives them
a foundation, or a safe environment, to be
able to exercise that reasoning skill.
And that's something that's central to all of philosophy.
You can never - in order to do philosophy,
you must take an opinion that you have, and you
must provide a reason for having it.
If you provide no reason, then you're not
engaging in a philosophical discussion.
You can think about this idea of fast and slow thinking.
And Daniel Kahneman was the one who kind of wrote a book about it.
And this idea of fast thinking is our heuristics, or our algorithms,
that we program.
And that's the way we approach a lot of things.
And it allows us to go through life really, really quickly.
The slow thinking is the logical.
It's the calculated.
It's what takes time.
And it's sometimes more infrequent than the other.
And that's what philosophy does.
Philosophy allows students the practice to be
able to engage in slow thinking, the logical side of this thinking
perspective.
And when they do it in the classroom, our classroom, they internalize it.
And they start taking it out, and they apply it to their other subjects
and beyond school.
They apply to other aspects of their lives.
I mean, philosophical inquiry has had positive effects on behaviors
and being able to ask or make good decisions.
I think one of the most important things about philosophical inquiry
is the fact that through the process, you're enabling students.
You're not shaping them in something that you want them to turn into.
You're giving them the opportunity to explore their own thinking
and their own understanding.
And it leads them to be in control.
And that's something that is really powerful.
If a student is in control of their thinking
or in control of what they're learning, then they'll
have a greater investment in it.
And they'll want to carry it out with more sincerity.
Because we don't expect this answer or that answer or a particular response,
it's about the process and how we arrive at our understanding,
we give students the opportunity to figure out their own way to that point.
So we give them the ability to shape their own learning in a sense.
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