My name is David Morgan. I'm in the Department of Religious Studies at Duke.
I was trained as an art historian but for many years I've been most interested
in understanding how images work within religious settings. This new book is
about religion and images but it focuses on a third category that I have found
very interesting and that is the idea of enchantment. Many people think about
modernity in rational terms as if things like religion and magic and enchantment
are phenomena of the past. In fact, enchantment, and religion for that matter,
are alive and well and I've been very interested in understanding what role
images play, in religion, but in this book I'm focusing on the role of images in
making enchantment happen in everyday life. For me this takes two directions.
First of all, how images act on us to enchant us, to motivate us, inspire us,
terrify us, seduce us. And in a sense in the opposite direction, how we use images
to act on the world. These two strategies, these two functions of images are quite
powerful. And the more you start looking for it in everyday life, in the world of
art and the worlds of religion, the more you see it. In the first instance, I'm
interested in images as agents: what they do to us. So, for instance, there are
things like devices we carry to protect us. A very common one is called the Hamsa,
which is in the shape of a hand, that people hold to protect them from the
evil eye. On the other side, I'm also interested in how people understand
action on images to affect the world. And we see this very commonly for instance
in the way people destroy images. There's been
a wave of that across the American south in the last year in anxiety and
violence and destruction directed towards say images of Robert E. Lee or
soldiers from the Civil War. There the belief is that if one destroys the
object or removes it from sight, one can affect broader social change. There's
some rational thinking to that, certainly. But it's also a kind of magical thinking.
It's a form of enchantment that by destroying certain images we have an
effect on the world around us. The psychology, the history, the religious
ideas, the desire that goes into these kinds of visual operations of
enchantment is what has occupied me in this book.

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